Are you a Cykosis Fan? The question on every festival-goer’s mind right now: which stage gets destroyed first by DJ CYKOSIS?

Since 2006, the clown-masked maestro has been the underground’s best-kept secret — a 100% human producer who treats AI like the enemy and bass like a weapon of mass destruction.

That secrecy is over. “HI IM CYKO” is out now, buy it, stream it, rent it, break it, use it, listen, whatever, play it. DJ CYKOSIS is officially hunting headlines, mainstages, and every single EDM festival that wants to survive 2026.

Visualize the takeover: sunset at a packed EDM festival, confetti still falling from the previous act. The lights kill. Silence. Then one low, warped clown chuckle rumbles through the subs. Screens ignite with the signature red grin. DJ CYKOSIS rises behind the decks — mask glowing, fingers poised — and the entire crowd realizes they just became extras in his circus.

Dubstep hits like an ambush: wobbles that bend and screech like steel cables snapping under tension, riddim growls that clamp down on the air and shake it viciously, sub bass so overwhelming the festival fence line vibrates in sympathy. Every drop is a detonation orchestrated by DJ CYKOSIS himself — the painted smile towering above while the pit turns into a sea of flailing limbs and involuntary screams.

THE FAST BPM OF CYKOSIS™

He doesn’t let the crowd breathe. The flip to drum & bass is instant warfare: 180 BPM breakbeats carving through festival sound systems with neurofunk ruthlessness, snares detonating like flashbangs over the campgrounds, Reese basses stabbing forward in relentless waves. DJ CYKOSIS rides the roller like a getaway driver through flaming streets, layering distorted laughter that bounces between hits while the entire field skanks itself into exhaustion.

Then hardstyle explodes across the horizon. Reverse bass kicks crash down with raw, euphoric brutality — tail-heavy strikes that make every jumper feel the impact in their spine, forcing synchronized chaos from front rail to food stalls. Those iconic melodies get live-corrupted into sinister carnival hymns, supersaws climbing into bliss before plunging into darkness, all under the command of DJ CYKOSIS and his trademark clown malice.

Festival production crews are already rewriting risk assessments. Booking DJ CYKOSIS means preparing for the unthinkable: bass bins pushed past redline, visual rigs hijacked mid-set with clown code, crowds that stage-dive during the second drop and refuse to stop until sunrise. One veteran promoter confessed, “We sent the standard contract. DJ CYKOSIS returned it covered in red greasepaint and a note that said ‘mainstage closer or I bring my own PA.’ We cleared the slot immediately.”

The streets are on fire with anticipation:

• “Selling everything I own for front-row when DJ CYKOSIS gets announced.”
• “Every other headliner in 2026 is just the opener for CYKOSIS.”
• “Already practicing my clown face paint for the set.”

“HI IM CYKO” is the demo reel. Circus Overclock — the full album — is being mixed specifically for live festival warfare: monstrous builds that stretch crowd tension to the breaking point, quadruple-genre switches designed to snap necks, and exclusive visual viruses ready to seize control of every LED wall on the grounds.

DJ CYKOSIS isn’t auditioning for your festival.
He’s auditioning your festival for him.

Promoters: upgrade your rigs or get left behind.
Fans: start camping the announcement pages.

The Clown Prince doesn’t wait for the spotlight.
He burns the stage down and builds his throne from the ashes.

Stream the revolution starter now
http://CYKOSISmusic.com

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